By Ellen Gilbert
The first things you see when you visit the Brooklyn Museum’s current website are a stylized image of the late Brooklyn-born artist Jean-Michel Basquiat’s face and, immediately below it, a larger, looking-you-in-the eye headshot of arts advocate Anne Pasternak, who is about to assume the museum’s directorship.
Basquiat, who died in 1988 at the age of 28, is currently the subject of Basquiat: The Unknown Notebooks, what the Museum is calling “the first major exhibition” of some of “the numerous notebooks with poetry fragments, wordplay, sketches, and personal observations ranging from street life and popular culture to themes of race, class, and world history.” Although it is specific to Basquiat, this is probably an apt description for the nature of the work ahead for Pasternak, who is 50.
Now housed in a five-story McKim, Mead & White building dating back to 1893, the roots of this venerable institution can be traced even further back to 1823, when the Brooklyn Apprentices’ Library to educate young tradesmen was founded. (Walt Whitman would later become a librarian there.) Today it includes a collection of more than a million works and a full-time staff of 308, including 20 curators and departments from ancient Egyptian to contemporary and feminist art.
Although she is the first woman to head one of the city’s two “encyclopedic art museums” (the other is the Metropolitan Museum of Art), Pasternak already has female counterparts in high places, including Caroline Baumann at the Cooper Hewitt, Holly Block at the Bronx Museum, Thelma Golden at the Studio Museum in Harlem, Claudia Gould at the Jewish Museum, Jessica Morgan at Dia Art Foundation, Lisa Phillips at the New Museum, Laura Raicovich (also formerly of Creative Time) at the Queens Museum, and Miwako Tezuka at the Japan Society Gallery. more